In this second work in the series dedicated to the Coroados people, Espona turns his gaze towards an Indigenous woman, portrayed in the act of grinding. The intimate, tranquil scene highlights women’s role in sustaining everyday life. With his palette knife, the artist shapes not only forms but emotions: dignity, perseverance, a connection with the essentials of life.
The female figure is portrayed with respect and restraint, in a composition that brings together the rich texture of oil paint and a sensitive observation of human gesture. This painting is a quiet tribute to the practical and spiritual wisdom of the Indigenous peoples among whom Espona lived, and whose memory he held with affection.
“Upon his return to Spain, after almost twenty years away, Vicente de Espona painted these palette-knife oils of the Coroados people, drawing on his memories of Brazil.
He had lived among them in an idyllic place, so much so that he did not wish to return to civilisation. He had everything: pure, crystal-clear waters, spearfishing, and women who lived naturally, free from troubles.
Once again, life reminds us that we cannot have it all…”